Yarnography...taking photos of yarn

Otherwise known as rope photography or yarn porn...

Araucania Botany Lace

This Afternoon's Yarnographic Outtakes

Featuring Mietze and one skein of Araucanía Botany Lace.

One could get the impression Mietze enjoys having her photo taken...

The Freestyle Raglan Cardigan - Project Instructions

Surprisingly pleased with my first freestyle raglan cardigan, I decided to knit another, this time keeping a record of my project instructions.

Knitted seamlessly from the top down, this is a made to measure project without a written pattern as such. 

The number of cast - on stitches depends on your gauge swatch, your own measurements, the chosen needle size and the type of wool you are using. The pattern allows for modifications at every step of the way and what follows are my instructions for a cardigan in size S, knitted in stockinette stitch, with garter stitch edging at the bottom.

Should you wish to use another stitch motif, you simply have to knit the gauge swatch in the desired stitch and derive your measurements from your test swatch.

I used the following materials:

• Yarn: Madelinetosh, Tosh Merino Light (Sock Yarn) - 1 hank

• Needle: 5mm (US size 8) circular needle, 4 double - pointed needles (5mm / US size 8)

• Scrap yarn, 4 stitch markers, scissors, darning needle 

Madelinetosh Tosh Merino Light Sock Yarn, Colourway: Victorian Gothic

Madelinetosh Tosh Merino Light Sock Yarn, Colourway: Victorian Gothic

Prepare your gauge swatch and block it in whichever way you see fit. Count the stitches and calculate the number of stitches against the measurement of the gauge swatch: In my gauge swatch, 26 stitches in stockinette stitch measured 10cm exactly. 

Gauge swatch in stockinette stitch.

Next, you will have to determine how many stitches are required for the neckline of your cardigan. You can either measure yourself or, as this is not always as straightforward, opt to measure the neckline of an existing garment. My neckline measurement was 51cm.

Once you have determined the neckline measurement, you calculate the number of stitches to be cast on proportionally:

The general calculation looks as follows:

(measurement of desired neckline x number of stitches in swatch sample) / measurement of swatch = number of required stitches 

For my cardigan, the calculation looks like this: 

(51cm x 26sts) / 10cm = 132.6sts

I rounded the stitch total to 135, in order to easily divide the stitches between the various sections.

Once you have determined the number of stitches required, you are ready to start knitting:

Cast on 135 stitches:

• 1st row: knit all stitches

• 2nd row: purl all stitches

(After completion of this row, I decided to incorporate a button hole at the beginning of the next row, but this is entirely optional.)

Next, divide stitches between markers for the front, back and the two sleeve sections: 

• 45 for the back section, 46 in total for the front sections and 22 stitches for each sleeve section

• 3rd row: knit 23, place marker, knit 22, place marker, knit 45, place marker, knit 22, place marker, knit 23

• 4th row: purl, slipping markers as you complete the row

From the next row onwards, you start the Raglan increases. Until you are able to fit your arms comfortably through the sleeve sections, the number of stitches will have to be increased as set out below.

• 5th row: knit to two stitches before 1st marker, kfb, knit, slip marker, kfb, knit to two stitches before next marker. Continue increasing the stitch count as set-out above until the row row is complete, increasing one stitch before and after each marker.
• 6th row: purl all stitches slipping markers as you complete the row

Continue in stockinette stitch, increasing stitches before and after each marker on every knit row as shown above.

Continue knitting in stockinette stitch until your arms fit through the sleeves. (I increased the sleeve sections from 22 stitches to a total of 45 stitches between markers.) 

When the sleeves are wide enough and the fit is comfortable, proceed as follows:

• Knit to 1st marker, remove marker, place all stitches between markers on scrap yarn. Remove second marker. Join first front section with back section, continue knitting to second sleeve section, remove first marker, place stitches between markers on scrap yarn, remove second marker, join back section with second front section. Proceed to knit until end of row. 

Proceed to knit in stockinette stitch, removing all markers until your cardigan has reached the desired length. (You will have to keep checking the fit of the cardigan whilst knitting.)

Once your cardigan has reached the desired length, knit 4 rows in plain garter stitch (to avoid rolled edges) and bind off.

Having completed the Torso, it's time to move on to the sleeves: 

As pictured above, the live sleeve stitches are held on scrap yarn. Divide these stitches evenly between 3 double - pointed needles and remove the scrap yarn. To give the sleeves a neater look and to avoid the appearance of "underarm holes", pick up a few stitches underneath the arms, where the front and back sections were originally joined. This will stabilise the sleeve and create an overall tidy appearance.

It is now up to you to decide, how long the sleeves should be. As I wanted to use one skein of sock yarn exactly, I settled for short sleeves, which only required me to knit three rows in the round until bind-off. 

Once you have completed the sleeves, your cardigan is ready to be blocked.

As this garment is knitted in one piece, blocking can be quite a challenge and I decided to pin it against my dressmaker's dummy, whilst steam - blocking the fabric.  

Should you require pattern support, please feel free to contact me via Ravelry or leave a comment below.

This pattern is for personal use only and may not be reproduced for commercial purposes without permission.

© 2012 Clarice Asquith. All rights reserved. http://makedoandmendnovice.blogspot.com

A Lesson in Hanging on...until the time is right for steam blocking

Introducing The Freestyle Raglan Cardigan

A rather interesting project, one that's been on the needles since August 2011. At the time, I attempted my first cardigan. I wasn't following a "pattern", instead the project was knitted top - down, according to swatch and proportion.

As mentioned, no written pattern was followed as such, just basic project instructions along the lines of: 

Measure swatch, measure yourself, block swatch, calculate stitches required around collar in proportion to swatch sample, cast on equivalent number of stitches, divide stitches, place markers, memorise increase pattern, go forth and knit ...

Substituting Rowan Kidsilk Haze (again)

Introducing the Wisp

The pattern was created by Canadian designer Cheryl Niamath and originally published in Knitty's summer 2007 edition.  The pattern instructions call for either Elann Super Kydd or Rowan Kidsilk Haze. As I have successfully substituted Rowan Kidsilk Haze with Patons UK Misty in a previous project, I decided to use Patons UK Misty for my Wisp. And once again, Misty didn't disappoint.

  

Unfortunately, Misty has by now been discontinued, but it can occassionally be found for sale on both ebay and ravelry. Misty's composition (70% Mohair, 30% Polyamide) is not as luxurious as Kidsilk's but it serves as a fantastic substitute for all Knitters, who want to work with fingering weight yarn without having to pay the price for Kidsilk Haze, which currently retails at just under £9.00 per ball.

Wisp (Yarn: Patons UK Misty, substituting Rowan Kidsilk Haze)

There and Back Again....

Gallery of a Public Transport Knitter

Some Vital Statistics

Excluding the London Underground network, 2.5 million people commute to work by rail in the United Kingdom every day. More than a third of those commute to work to and from London. With a population of 13,614,409, the London commuter belt, which is also defined as the Southeast Metropolitan Area, is the largest in the European Union. The geographical boundaries of the Southeast Metropolitan Area are in constant flux. As the urban sprawl continues ever on and transport links are improved or created, it is expected to further expand.

My stretch of the line is operated by Southeastern. 70% of Southeastern's services transport passengers from Kent and parts of East Sussex to the major London termini. On their website Southeastern claim to be transporting 570,000 commuters to the capital every weekday morning. I happen to be one of them.

The Garter Stitch Brain Cleanser ...or Can you Block Acrylic Yarn?

Baktus Scarf

Update: Project notes for a modified brain cleanser baktus are now available here.

Strikkelise's Baktus pattern  has been on my "to -knit-list" for quite a while, but I had never quite gotten into the right state of mind for a project knitted entirely in garter stitch until now. Knitting in garter stitch throughout can be quite a repetitive endeavour, which I highly recommend as a brain - cleansing activity. To incorporate a little more of a challenge, I decided to knit my Baktus in two colours and I wanted to use the most inexpensive yarn I could find in my cupboard (...and still achieve a presentable look).

The yarn for this project was a charity shop find. I was unable to ascertain the manufacturer and only have a vague idea on the composition. A label on the inside of the heather - coloured cone tells me that the yarn contains 30% wool, with the remainder being acrylic. I assume that the same applies to the grey cone, but I could be wrong. I also assume that  Yeoman's are the manufacturers of the yarn. (Yeoman's produce machine knitting yarn, which is sold on cones.) But I could be wrong on this, too.

The Last of the Vintage...or an ideal yarn for beginner lace knitters

...and with a little melancholy, I note that I have used up the last balls of Patons UK Vintage. Well, never mind I'm quite happy with the finished object.

Introducing: The Oaklet, aka the Last of the Vintage

The designer is Megan Goodacre. The yarn (Paton's UK Vintage) was purchased a long time ago at Kemp's and has long since been discontinued. I have used Vintage in several projects and, even though it's not an overtly pretty yarn (in all honesty, the colourways are somewhat questionable), I feel a little sad to see it go. 

Megan Goodacre's Oaklet Shawl Pattern

The Weekly Swatch, Part 4 - The Drop Stitch

Drop Stitch 

I'm currently swatching for new projects and seem to have developed a preference for the drop stitch motif. The drop stitch effect is achieved by working a succession of multiple yarn overs into the knitting. On the following row the yarn overs are simply pushed (or "dropped") off the needle, creating a rather loose fabric, which is ideal for scarves and other flowing garments.

For the sample below I used Stylecraft Kon - Tiki - a blend of 50% cotton and 50% acrylic. Kon - Tiki has a very soft feel to it and I enjoyed knitting with the yarn. That's why I was surprised to see that it has primarily been used for knitted dishcloths on Ravelry. Let's see whether I can put the balance right and find a slightly more appealing project for my stash of  Kon - Tiki.

For all knit stitch patterns and weekly swatch posts, please follow this link to my knit stitch library.

Drop Stitch Swatch (Yarn: Stylecraft Kon - Tiki)

Catching up with the Finished Objects...

Hane Scarf, Yarn: Rowan RYC Bamboo Soft

For the first time, I find myself in the position of having to catch up on blogging about my finished objects, as my knitting activity seems to have increased dramatically over the last six months; and there are a number of projects that deserve to be included on the blog.

On average, it appears that I manage to complete a project every fortnight. No doubt, this is a result of my rigorous knitting activity whilst going about my daily commute. (If I didn't use the needles to knit, I might feel tempted to try them out on fellow commuters...)

Hane Scarf, Yarn: Rowan RYC Bamboo Soft

Where the 'Ruling Classes' Hang Out...

Whilst tidying up, I came across an old copy of the Mayfair Times from August 2012, sporting a rather waxy - looking David Lauren on its cover.

David Lauren on the cover of the Mayfair Times, August 2012

For all those not familiar with the publication: Despite being priced up at £3.00, it is freely distributed across Mayfair's neighbourhood. When the usual twenty copies are pushed through the letter box of my office building, I tend to ignore them for the first few days until they eventually get escalated to their special filing cabinet, the recycling bin.   

Noro Bias Lace Scarf in a Less Than Posh Yarn

Bias Lace 

Another project, completed entirely during the daily commute. It turned out to be an excellent commuter knit for several reasons:

Downtown Sheerness on a misty day...Let's hear it for Sheerness!

There I was, coming out of the station with no idea where to go next. Thankfully, help was at hand in the form of a sign giving directions to the most important sights:

Sittingbourne - Sheerness: A ride on the Sheppey Express

As previously mentioned, I planned to visit Sheppey again, that mysterious island off the Kent coast. This time, I took the train and what follows is an account of my journey to Sheerness - on - Sea.

For all those who rely on public transport, getting on to the Isle by train is by far the most convenient method. The Sheppey Express, as I have named it, departs twice hourly from Sittingbourne railway station; and it is here where the journey starts. (Well, I had to come over from Faversham, but no incidents worthwhile reporting occurred during the eight minute ride.)

Upon arrival at Sittingbourne you cross over onto platform three, the platform that is entirely reserved for the train to Sheppey. The train model itself is one of those regional type trains, the ones that are being used across Greater London, the ones with the uncomfy seats, that call at all stations. I'm sure the model has a name, but who needs that kind of technical information in their lives?

The Sheppey Express, awaiting its departure from platform 3 at Sittingbourne

On the eve of boarding the Sheppey Express...

Today's top tip: 

If you feel under the weather, somewhat unhappy or even a little depressed ... Why not head for a location that's even more dreary than the state you are in? Coming face - to - face with all the grotty misery on offer, you will return sufficiently re - charged, and, perhaps, somewhat relieved that at least you can come back to a place that's marginally more inviting than the destination of your trip. If you are looking for a location of this kind, may I suggest a trip to the Isle of Sheppey, situated just off the East Kent Coast?

The Isle of Sheep: Sheepey (or Sceapige in ancient Saxon)